If you keep the mids, turn down the gain and boost with a Tubescreamer plug-in before the amp sim. You could scoop mids for the "Metal" sound but a lot of people I've recorded with have been moving away from this. Even though you want a massive guitar sound you don't want the guitars competing for frequencies with a second guitar or the bass. In short, record multiple takes of the piece. It describes in detail a method that's pretty close to what I do for recording straight into a laptop. A lot of productions use four tracks at once.
You'll need at least 2 to get a great sound. Do not duplicate! You'll be bussing these tracks to a single track most likely, and you'll also be bouncing it down. You're looking for a number of tracks to playback at the same time. Once you have your guitar(s) setup to your liking, you play and record a section multiple times. I like EMGs on my Gibsons and Seymour Duncan Antiquity Texas Hot pickups on my strats. I've switched out the pickups to all my guitars to get better sounds. Be sure to get the best sound BEFORE you record. I had a Gibson Les Paul that wasn't shielded well and took it to a reputable guitar tech who took care of it. It's important to get your equipment checked out. You didn't mention what style of guitar music (you did mention "thunderous, heavy" tone) you're recording but I record hard rock and metal.
Logic pro recording guitar how to#
Producers and engineers need to know how to get good tones even if they don't play instruments (of course, playing instruments helps). However, even a guitar player with 20 years under his or her belt might need to use laptop setup with a DAW to put down ideas. Nothing beats recording live from a great amp.
It's an artistic endeavor and very rewarding. And be patient, it takes about as much time. Have fun with it! It's kinda like learning to play guitar.Sometimes we deliberately make a part sound worse so that it doesn't compete with a more important part. It's very hard to make a terrible recording sound any better. The most important part of getting a great sounding track is recording a great sounding track. Don't get hung up on EQ, processing, compression, etc.Try the mic right in front of the amp or up near your ears or pointed at a glass window that is reflecting the amp sound. Put the amp in the bathroom or garage or stairwell or outside. Point the microphone in slightly different directions. Move the microphone around the amp to see where it sounds best. Move the amp around the room to get the best sound in the room.
A lot of recording is moving things around.
Logic pro recording guitar professional#
There is also a lot of money invested in equipment and facilities that are used for professional recordings, and yes those things make a difference. Creating a professional sounding recording involves just as much practice and experience as playing a professional sounding guitar part. Imagine a professional mix engineer who has just started playing guitar asking you "How can I play guitar as well as Tom Morello or Pat Metheny?" You would probably see at least 5 - 10 years of practice in their future to be able to play guitar at a professional level, if not much more (20 years?).
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